Roland Jupiter 6 lush pads and Rhodes Piano soundscape

video upload by MIDERA

"I'm convinced the Kawai SX-240 should go, if only because I can trade for something else (Yamaha CP-70b?). But what can take its place that's already here? The Jupiter 6? The Prophet 10? The Prophet VS? They're all similar, but different. Guess that's why I stupidly have so much stuff. I can hear interesting tones from one that I can't hear in another. They're all interesting.

The Jupiter 6 surprised me here. I have learned some tricks about keeping the filter from sounding so harsh, and I think that's helped. It's for sure an unusual synth - and not entirely my favorite. In fact, I'd say generally the SX-240 sounds better (and looks better). I think the SSM2044 filters really make that synth shine, and nothing I have is like that. The Polysix had these filters but it never sounded as good. I think the Prophet 10 probably is the closest, but it also lacks reverse saw waves that I really like for LFOs. I don't know why they omitted those on the P10, but they did.

Track title: When our sighs collapse

Roland Jupiter 6
Rhodes Electric Piano
Fractal Audio FM3"

Digital Finch Synth Jam #synth #electronicmusic

video upload by Mutt Retro

"Music idea that I'm working further to release.. maybe a single or maybe part of the album."

Novation Supernova - Démos internes - Factory Demo Songs

video upload by ED Synth & Bass

SAMPO Sampler обзор (часть 1)

video upload by SynthCone

"The long-awaited review of the SAMPO sampler.

This is a review of the main functions of the device. In the process, a review of working with the application for loading samples and a separate video on additional parameters.

Enjoy watching. Sorry for my bitcoin)))

SAMPO - A small sampler with great capabilities.
(ZeptoCore clone)

Capable of storing up to 32 GB of stereo samples (16 bits, 44.1 kHz)
Samples are stored on a microSD card (16 banks, 16 samples each)
Has 16 effects (delay, reverb, fuzz, filter, saturator, etc.)
Can be used as a drum machine, loading drum sounds and writing your own rhythms.
Built-in bass synthesizer.
MIDI USB-C in/out, synchronization.
Many different settings and capabilities.

The project is open source and you can repeat it yourself or pre-order it from me.


Pre-order. Check the production time.

To order, write to TG: @SynthCone_maste"

The Beatles’ “Here Comes the Sun” - SYNTH PARTS YOU’VE NEVER HEARD BEFORE!

video upload by Anthony Marinelli Music

"I’m going to take you on a quest into one of The Beatles’ most iconic songs, 'Here Comes the Sun', and show you something I recently discovered, that really surprised me. — THERE ARE SYNTHESIZERS IN THIS ACOUSTIC AND ORGANIC SOUNDING TRACK!

I’ll break down the arrangement of this beautiful song and show you how to create all the synth sounds that were used to transcend it's sound. We’ll cover everything from the signature whistle sound, the main lead synth, the intro sound, and the buzzy synth bass that gives the track its vibe. I’ll also discuss the Beatles’ evolution as they started experimenting with effects on traditional instruments, which ultimately led them to integrate synthesizers in ways that completely reshaped what others thought possible.

They used the Moog synthesizer to replace orchestral parts in some sections of the song and to complement the acoustic elements in others. It was all about pushing the boundaries of what was possible at the time but still keeping their unique voice in tact.

What makes this even more special is that I’ve recreated these sounds on my rare, vintage 1969 Moog IIIc — the same model that was shipped just months after The Beatles received their own Moog directly from Bob Moog. This instrument, used on the 'Plantasia' album by Mort Garson, is in fully working order, so it’s my chance to give you a sense of the subtle nuances The Beatles heard when they first explored this revolutionary sound in their music. I’ll bring you as close to the original sound as possible and show you exactly how they used it in 'Here Comes the Sun'.

So, grab your synths (or just sit back and enjoy), and let’s take a closer look at how The Beatles incorporated this groundbreaking technology into their timeless music. You might just discover something new about one of the most loved songs in history and how you can do the same in your music today.

Don’t forget to like, subscribe, and hit the notification bell so you don’t miss out on any of the synth goodness I have coming your way! Also, check out my course Think Like a Synth to learn the exact method I've used for decades on hit records and films — and still use today.

____________________________________
ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work 'In the Family Way', written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website - https://www.anthonymarinellimusic.com"

Holographic Psychology: Etude for Oberheim SEM filter, featuring the TEO-5

video upload by Wingo Shackleford (Mike R.)

"Stacking the raw polyphonic analog drone with thick layers of modulated reverb and distortion really brings out the singsong nature of the multimode analog 12db/oct SEM filter. You can find the sweet spots where the overtones really start to burn...

Additional FX supplied by the Old Blood Noise Endeavors Screen Violence pedal designed with Chvrches.

Download the extended cut in HQ audio here:"

wingo · Holographic Psychology (extended cut)

Cinematic Ambient w/ Prophet-10, Lyra-8, OP-1 field, norns shield | Ghost Water 2025-03-31 by atnr

video upload by atnr

"A piece created using the ‪@SequentialLLC‬ Prophet-10, ‪@somasynths‬ Lyra-8, norns shield, and ‪@teenageengineering‬ OP-1 field. Layers of electronic sound occasionally reveal melodies.

On the norns shield, I use DRONECASTER to generate a 283 Hz drone, which is fed into the ‪@ChaseBlissAudio‬ MOOD MK II for reverb and stretch effects.

The Lyra-8 produces sounds between drone and noise by pressing its keys and using feedback from the MOD DELAY.

On the OP-1 field, I perform a synth part with the CWO effect applied.

The Prophet-10 plays a sparse synth pad that mixes in noise oscillators."

GS Music e7

video upload by tom noise

PlantsSystem-TheYMOwithMU500

video upload by plantssystem

"YAMAHA high-quality XG sound module MU500, we played the SMF (Standard MIDI File) of the legendary techno unit YMO. The rich tone and high expressiveness of the MU500 realize a sound that approaches the original. The swell of the synth bass, the sharp rhythm, and the glittering sequence phrases resonate as if reviving the sound of that time.Pursuing a more realistic YMO sound by fine-tuning the tone and utilizing effects. The clear and dynamic sound quality unique to the MU500 brings out the charm of the SMF data to the fullest."

00:06 GRADATED GREY
00:32 KEY
01:14 LIGHT IN DARKNESS

Redshift 6 - Firmware Update 1.2

Press release follows.

"Supercritical Synthesizers have just released the second firmware update for the Redshift 6 and it’s available at our website. The Firmware Update 1.2 brings Clock, LFO clock sync, NRPN support for parameter control, Mod Lock, and also 65 new presets from Gattobus, Starsky Carr, and our team.

VERSION 1.2

Added
Clock that can be synced via MIDI
LFO clock sync
Tap tempo
All parameters can now be controlled with NRPN and some with CC
Velocity to Amp quick modulation on AMP page
Mod lock
Double-tap a mod source to latch mod assignment mode
Hold a source and double-tap another one to latch mod + via assignment
Tap the blinking source or via button or Esc to unlatch
DCO keyfollow setting -400% to 400% on the KEY page
Keyboard octave switching: Up/Down on Key page, or Shift + Up/Down anywhere
Filter keyfollow snap to nominal 1:1, 2:1, 3:1 (these are not super accurate in self oscillation)
65 new presets by Gattobus, Starsky Carr and our team

Changed
New parameter adjustment logic
Default is as previously, except adjustment is more responsive (much smaller “deadzone” when starting to move a knob)
Holding shift now enables parameter fine tuning, allowing for much smaller adjustments (you can for example adjust tune by less than a cent)
Double-tap Shift to latch fine tune mode, tap Shift or Esc to unlatch
Parameter steps are now accessed by holding down a knob while turning
Perform page now shows clock status and incoming MIDI
Clarify a bunch of names around the UI
LFO Reset Phase now has steps at 25%, 50% and 75%
DCO Stack & Detune visualization now more accurately reflects what’s happening in the voice
Short grace period after adjusting modulation to prevent accidentally changing the parameter
Keyfollow now also follows pitch bend and portamento (might change behaviour of some presets)
Minor visual tweaks and fixes

CLICK FOR MORE »