MATRIXSYNTH

Prophet 6 Trigon 6 and OB-6 - Sequential Six Sinister Synthesizer Showdown Pt. 1 - Factory Patches

Key Solution Sounds "TRAVELER" - Can it do Progressive Trance?

video upload by Scott McAuley Sounds and KeySolutions Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Since my TRAVELER teaser went live, I have been asked a number questions regarding it's flexibility, ease of use, and overall sound.

Yes it can do beautifully epic scoring pads and stunning leads but that is not all, it is such a workhorse of a synth, and I believe future users will be using it in most of their productions.

I put this short track together, just to let you good folks hear just how well it does dance music.

© Scott McAuley. All rights reserved.
#custom #sounds"

Follow-up to this post.

Modular relaxation - Ambient sequencing with #buchla unattended

video upload by RandomVoltage

"Modular relaxation with Buchla

Sequencer patch with one 245t sequential voltage/ 264t sample and hold and the 242t pulser
Soundsource is the 259t (two channels)

Strymon starlab reverberation"

8/26/26 (26 MU) EML 200 + .com + FSFX + STG + muSonics + SSL + Corsynth + Trouby + CXM 1978 + (…)

video upload by Cfpp0

"8/26/26 (26 MU) ElectroComp EML 200 + Synthesizers.com Q124 & Box11 + Free State FX 103 Lopass Gate & Dual Trigger Processor + STG soundlabs Sea Devils Filter + muSonics Vanilla Filter + Synthetic Sound Labs 1520 Segwencer + Corsynth c103 Frequency Divider / Multiplier + Trouby Modular Trigger Decay + CXM 1978

Synthesizers.com had a 4th of July sale, right after we moved our ElectroComp EML 400 above the 401, so we got two Box11 cases to house 5U modules to aid the EML system. I covered the ugly Box11 logos with electrical tape, connected the two cases with a metal brace, then attached a Box4 case to the right side, which perfectly fills the whole gap between racks on either side of the EML system. Anyways, this was the first test. The EML 200 master square wave is controlling the tempo, and I switch the range at 0:22. The EML Sampler is sampling noise, and the Sampler out is multiplied on the Box11, modulating both EML VCOs, which run to the Synthetic Sound Labs 1520 Segwencer IV, modulated by the Sampler output. VCO 1 also runs to the EML VCA, modulated by the master sine wave, and that goes straight to the Mackie Onyx 1640 mixer, panned left. The 1520 audio out goes through the STG soundlabs Sea Devils Filter, modulated by the Free State FX Dual Trigger Processor in LFO mode, and the Sea Devils Filter is FM’d by the EML 200 VCO2. A copy of VCO2 is processed by the Corsynth C103 Frequency Divider / Multiplier, which drops the pitch an octave lower, and that detuned version runs through Free State FX Lowpass Gate, modulated by the EML 200 master square wave through the Trouby Modular Trigger Decay. Both the Sea Devils Filter output and the FSFX Lopass Gate output are mixed in the muSonics Vanilla Filter, modulated by the other LFO output on the FSFX Dual Trigger Processor (Modulation in) and the EML Sampler output (v/o in). At the end I pull the cable from the sampler. Reverb was blended on the CXM 1978."

Unboxing and First Impressions — ASM's Leviasynth.

video upload by Noisegate

"The ASM Leviasynth has landed at Noisegate. We first saw it at the ASM booth at NAMM and we've finally got one in the studio — so here's the unboxing, the first patches, and a proper dig through the algorithmic engine, the analog filter, the effects chain and that four-octave ribbon.

▬▬▬ SPECS ▬▬▬
16-voice hybrid (digital oscillators + analog filter)
8 oscillators per voice, 7 synthesis types, 140+ algorithms
4-pole analog low-pass filter with pre-drive + multimode digital filter
61-note Polytouch polyphonic aftertouch keybed, MPE
4-octave pitch ribbon (doubles as a sequencer step controller)
3-track sequencer + arpeggiator
8 macro controls, deep mod matrix
Pre-FX, delay, reverb and post-FX
CV/Gate I/O — assignable mod in/out, pitch, gate, clock
MIDI in/out/thru, USB, expression + sustain, front-facing headphone out
Aluminium chassis

▬▬▬ CHAPTERS ▬▬▬
0:00 Unboxing
0:31 What is the Leviasynth?
1:05 First preset, first play
1:30 Panel tour and layout
2:52 The analog filter and pre-drive
3:43 8 oscillators, 16 voices
5:24 Random patch generation
6:22 Building from an init patch
6:58 Mod matrix: LFO to oscillator feedback
8:17 How the algorithms actually work
9:35 Performance controls and patch browsing
10:41 The four-octave pitch ribbon
12:21 Arpeggiator
12:54 Signal path and effects
14:06 Delay and sync
17:53 The 3-track sequencer
19:22 Ribbon sequencer step mode
19:53 Build quality and I/O
20:30 Final thoughts"

North American Electronic Sound Expo Set for April 2027 at Rock & Roll Hall of Fame Cleveland

"A three-day expo for hardware synths, modular gear, software, controllers, accessories, and the people who make them. Built community-first, in the heart of Cleveland."

https://naese.co

Press release follows:

North American Electronic Sound Expo to Hold Its Exhibitor Welcome Reception at the Rock & Roll Hall of Fame

The inaugural NAESE opens Year 1 at the Rock & Roll Hall of Fame in Cleveland on Thursday, April 8, 2027, the evening before its public expo floor opens.

CLEVELAND, Ohio, August 26, 2026. The North American Electronic Sound Expo (NAESE), a new three-day expo for electronic-sound instruments and the people who make and play them, will hold its inaugural Exhibitor Welcome Reception at the Rock & Roll Hall of Fame on Thursday, April 8, 2027, the evening before its public expo opens April 9-11 at the Huntington Convention Center of Cleveland.

Built community-first, NAESE is for the makers who build the instruments, the developers who code them, the artists who perform on them, and the people who love them. It spans four pillars: TOUCH (the expo floor), SHARE (sessions, panels, and workshops), HEAR (performances), and PLAY (open jam spaces).

The Exhibitor Welcome Reception gathers the makers, developers, and manufacturers exhibiting at NAESE for a chance to meet and network the evening before the public floor opens, on The Bridge, the museum’s Level 3 event space overlooking the Cleveland skyline. Exhibitors have complimentary access to the museum’s exhibits that evening, before and after the reception.

For NAESE’s founder, who now lives in New York, Cleveland is a homecoming.

“Honestly, I still can’t quite believe we get to do this,” said Greg Kefalas, NAESE’s founder and executive producer. “I’m from Canton, so Cleveland is where my first big live music gigs were, and now Year 1 opens at the Rock & Roll Hall of Fame, the night before the floor does. The people who solder this gear, code it, and play it are doing some of the most exciting work in music right now. Bringing NAESE to Cleveland and opening the weekend by welcoming them to the Hall felt exactly right.”

“Every one of these makers, from the biggest names to the one-person shops, is building something worth celebrating,” said co-founder Mike Weakley. “Kicking NAESE’s first year off with them at the

Rock & Roll Hall of Fame is exactly how it should be. At NAESE the makers come first, and this is us proving it.”

The Exhibitor Welcome Reception is for NAESE exhibitors and is not a public event. All NAESE badge holders receive $5 off adult Rock & Roll Hall of Fame admission from two days before the expo through two days after. The public expo runs April 9-11, 2027 at the Huntington Convention Center of Cleveland, and badges are on sale now at naese.co.

About NAESE
The North American Electronic Sound Expo (NAESE) is a three-day expo for hardware synthesizers, modular gear, software, controllers, accessories, and the people who make and play them. Built community-first, NAESE brings makers, performers, educators, and enthusiasts into one building across four pillars: TOUCH (the expo floor), SHARE (sessions, panels, workshops, and demos), HEAR (performances), and PLAY (open jam spaces), with software as a full citizen alongside hardware. Its inaugural edition, Year 1: First Signal, runs April 9-11, 2027 at the Huntington Convention Center of Cleveland, with an exhibitor welcome on Thursday, April 8. NAESE is produced by Million Sides, Inc.

KNOBCON FOURTEEN GUEST OF HONOR & an Update on Workshops and Informative Sessions

via KNOBCON

"We are delighted to announce Terry Michaels as our esteemed guest of honor. Join us at the annual banquet for his keynote address and to help us honor him.

Terry Michaels, AKA Terry Mikulic, designed the seminal relaxation-core oscillator published in Electronotes 62 by Bernie Hutchins: the highly accurate ENS-76. It is the most influential analogue oscillator design of the modern era. This circuit became the heart of hundreds of synthesisers, including Gene Stopp’s ASM-1, the Synthesizers.com Q106, and the muSonics Vanilla Oscillators. Through his synthesizer work, Terry founded a laser light show company called Laser Artistry in 1976. The company operated as one of America's elite laser show outfits until its final performance on December 31, 1999.

The annual catered banquet will be held Saturday, September 12, 2026 at 7pm in the Sapphire Pavilion. Tickets are available as an add-on to your Knobcon attendance. Seating is limited."

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Tonverk OS 1.40 Is Here, Let's Discuss! w/ EZBOT

video upload by EZBOT

"The Tonverk got it's long awaited update. Overbridge.. kinda and a lot of bug fixes! Let's check it out together live on stream."

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

See the announcement post here.

Sequential Prophet 10 - powerful sync sound in double mode

video upload by Synthratix

"I have used the double mode of the Prophet 10 rev.4 with a clicky sound underneath a synchronized oscillator with unison mode."

Rare Moog Modular - Burn-in Jam

video upload by Rosen Sound

"Programming and performance by Justin Goers (https://www.instagram.com/atx_cat_king/)

This Moog Modular is in our burn-in, the part of the shop where we turn on and test repaired synthesizers for five days before we return them to our clients. Justin gives it a full sonic run down and explores a range of sounds and timbres."