KORG PROPHECY

SOLO SYNTHESIZER

128 PRESETS - 192 W/ OPTIONAL MEMORY CARD (SRC-512)

FROM THE OWNER'S MANUAL

MAIN FEATURES OF THE PROPHECY

1The Prophecy is a 37 note monophonic synthesizer featuring a newly developed system of tone generation; MOSS (Multi Oscillator Synthesis System).
Seven different synthesis techniques are supported, ranging from analog synthesizer oscillators to physical models such as sax or bass guitar. The Prophecy provides an unprecedented degree of expressiveness.

2Bank A and bank B each provide 64 programs (a total of 128). Programs that you edit can also be stored in these banks. An optional SRC-512 RAM memory card can be used to store an additional 64 programs for instant access.

3Keyboard dynamics, wheel controllers 1/2/3. the ribbon controller, and an optional foot pedal can be used for realtime control of filter cutoff, resonance, and effect parameters, etc. for heightened performance expression. These settings are memorized for each program, allowing you to select performance techniques as appropriate for your style and the selected sound.

4The Performance Editor function lets you assign parameters to each of the five knobs for realtime control. Four Performance Editor sets are provided. For each set, any of the more than 200 program parameters can be assigned to a knob, meaning that up to 4 parameters can be assigned for control by one knob. Performance Editor settings are also stored independentyly for each program.

5The powerful arpeggiator function automatically arpeggiates the notes in a chord you press. Five preset patterns and five user patterns are provided. User patterns allow you to create and store your own arpeggiation pattern of up to 24 steps. Preset patterns also allow you to modify and store the spacing between steps, and the velocity of each step, etc. When an optional SRC-512 RAM memory card is used, an additional 5 preset patterns and 5 user patterns will be available. Arpeggio playback can be synchronized to MIDI clock messages.

6Portomento and Octave Up/Down functions are provided, and can be switched on/off from the front panel or using an aptional EC5 external controller. These controllers can also be used to switch effects or the arpeggiator on/off, allowing you to concentrate on your keyboard playing.

7The Prophecy provides not only equal temperament, but also a variety of unconventional tunings such as Pythagorean and Werckmeister, and scales used in Arabian and Indonesian music. These can be specified for each program, allowing you to cover a wide range of musical genres. You are also free to create and use your own original scales.

8In the MOSS (Multi Oscillator Synthesis System) tone generator of the Prophecy, the basic sound created by the two sets of oscillator, sub oscillator, and noise generator is passed through the Wave Shape, Mixer, Filter, Amp, and Effect blocks to shape the sound. In each of these blocks, general purposes EGs and LFOs can be used as modulation sources. While the Prophecy is a cutting edge digital synthesizer that uses the very latest in DSP technology, it also provides the possibilities for detailed manipulation that were characteristic of analog synthesizers, letting you turn your imagination into sound.

9The Oscillator block provides seven types of oscillators, such as Analog, VPM, and Physical Modeling, and also contains a Sub Oscillator and Noise Generator. The Wave Shape block can be set to either Clip or Resonant wave shaping, and determines how the waveform is shaped and the balance at which it is mixed with the original waveform. The Mixer Block determines the levels at which the two systems of Oscillator, Sub Oscillator, Noise Generator, and Feedback are sent to the Filter block. The Filter block provides two multi-mode filters (switchable between LPF/HPF/BPF/BRF), and can be placed in either series or parallel to control the output. The Amp block lets you independently control the level of each output signal. The Effect block provides seven types of effect; Distortion, Wah, Chorus/Flanger+Delay, Reverb, and Dual Parametric EQ. (You may select either Chorus/Flanger+Delay or Reverb.)

EDIT MODE

OSC SECTION

OSC-CMN1 [OSCILLATOR SET]

SET OSCILLATOR 1 OSCILLATOR 2
SET 1 STANDARD OSC STANDARD OSC
SET 2 STANDARD OSC COMB FILTER OSC
SET 3 STANDARD OSC VPM OSC
SET 4 STANDARD OSC MODULATION OSC
SET 5 COMB FILTER OSC COMB FILTER OSC
SET 6 COMB FILTER OSC COMB FILTER VPM OSC
SET 7 COMB FILTER OSC MODULATION OSC
SET 8 VPM OSC VPM OSC
SET 9 VPM OSC MODULATION OSC
SET 10 BRASS OSC NO OSCILLATOR (OSC2)
SET 11 REED OSC NO OSCILLATOR (OSC2)
SET 12 PLUCK OSC NO OSCILLATOR (OSC2)

OSC-CMN2 [PITCH EG LEVEL] PITCH EG
START LEVEL [-99...+99]
ATTACK LEVEL [-99...+99]
BREAK LEVEL [-99...+99]
RELEASE LEVEL [-99...+99]
OSC-CMN3 [PITCH EG TIME] PITCH EG
ATTACK TIME [0...99]
DECAY TIME [0...99]
SLOPE TIME [0...99]
RELEASE TIME [0...99]
OSC-CMN4 [PITCH EG CTRL]
LEVEL KBD TRK [-99...+99]
TIME KBD TRK [-99...+99]
LEVEL VELOC CTL [-99...+99]
LEVEL VELOC CTL [-99...+99]
OSC-CMN5 [PITCH BEND]
PB INTENSITY(+X) [-60...+12]
PB STEP(+X) 0, /8, /4, /2, 1...12]
PB INTENSITY(-X) [-60...+12]
PB STEP(-X) 0, /8, /4, /2, 1...12]
AFTERTOUCHBENDING [-12...+12]
OSC-CMN6 [PORTAMENTO]
FINGERED MODE [NORMAL, FINGERED]
PORTAMENTO TIME [0...99]
TIME VEL CTRL [-99...+99]
OSC-CMN7 OSC MENU
OSCILLATOR 1 [STD1],[COMB1],[VPM1],[BRASS],[REED],[PLUCK]
OSCILLATOR 2 [STD2],[COMB2],[VPM2],[MOD2],[OSC2]
SUB OSCILLATOR [SUBOSC]
NOISE GENERATOR [NOISE]
UTILITY [UTY]
OSC1(2)-1 [BASIC PITCH]
OCTAVE [32"...4"]
SEMI TONE [-12...+12]
FINE TUNE [-50...+50]
FREQUENCY OFFSET [-10.0...+10.0Hz]
OSC1(2)-2 [PITCH MODULATION]
MOD.SRC [OFF...CCHG#95]
MOD.INT [-99...+99}
OSC1(2)-3 [PITCH SLOPE]
LOW KEY [C-1...G9]
HIGH KEY [C-1...G9]
LOWER INTENSITY [-1.0...+2.0]
HIGHER INTENSITY [-1.0...+2.0]
OSC1(2)-4 [PITCH MOD LFO] - PITCH MODULATION LFO
LFO SELECT [LFO1...4]
INTENSITY [-99...+99]
INT.AT CONTROL [-99...+99]
INT.CC#1 CTRL [-99...+99]
STANDARD OSCILLATOR
OSC1-5 [STD WAVE LEVEL]-OSC SETTING
WAVE SELECT [SAW, PULSE]
WAVE EDGE [0...99]
WAVE LEVEL [0...99]
RAMP WAVE LEVEL [0...99]
OSC1-6 [STD WAVE FORM]-WAVE FORM MODULATION
FORM [-99...+99]
FORM MOD.LFO [LFO1...LFO4]
FORM MOD.LFO INT [-99...+99]
FORM MOD.SOURCE [-99...+99]
FORM MOD.INT [-99...+99]
COMB FILTER OSCILLATOR
OSC1-5 [COMB INPUT]
NOISE LEVEL [0...99]
INPUT WAVE FORM [SAW, SQU, TRI]
INPUT WAVE LEVEL [0...99]
INPUT GAIN [0...99]
OSC1-6 [COMB FEEDBACK
FEEDBACK [0...99]
FEEDBACK MOD.EG [0...99]
MOD.EG INT [-99...+99]
FBK MOD.SOURCE [OFF...CCHG#95]
FBK MOD.INT [-99...+99]
OSC1-7 [COMB LOOP LPF FREQUENCY]
COMB LOOP LPF FREQUENCY [0...99]
VPM OSCILLATOR
OSC1-5 [VPM CARRIER WAVE]
VPM CARRIER WAVE [SIN, SAW, TRI, SQU]
OSC1-6 VPM CARRIER
CARRIER LEVEL [0...99]
LEVEL MOD.EG [EG1...4, P.EG, A.EG]
MOD.EG INTENSITY [-99...+99]
LEVEL MOD.SOURCE [OFF...CCHG#95]
LEVEL MOD.INT [-99...+99]
OSC1-7 [VPM CARI SHAPE]
WAVE SHAPE [0...99]
SAPE MOD.LFO [LFO1...4]
MOD.LFO INT [-99...+99]
SHAPE MOD.SRC [OFF...CCHG#95]
SHAPE MOD.INT [-99...+99]
OSC-8 VPM FEEDBACK GAIN
VPM FEEDBACK GAIN [0...99]
OSC1-9 [VPM MODULATOR PITCH]
SEMI TONE [-12...+96]
FINE TUNE [-50...+50
KBD TRACK [-99...+99]
MOD.SRC [OFF...CCHG#95]
MOD.INT [-99...+99]
OSC1-10 [VPM MODULATOR]
WAVE [SIN, SAW, TRI, SQU, OSC1/OSC2]
LEVEL [0...99]
OSC1-11 [VPM MODULATOR LEVEL]
LEVEL MOD.EG [EG1...4, P.EG, A.EG]
MOD.EG INT [-99...+99]
EG INT KBD TRK [-99...+99]
LEVEL MOD.SRC [OFF...CCHG#95]
LEVEL MOD.INT [-99...+99]
CROSS/SYNC/RING MODULATION OSCILLATOR
OSC2-5 [MOD OSC TYPE]
MODULATION TYPE [RING, CROSS, SYNC]
INPUT SELECT [OSC1, FBACK, NOISE]
CARRIER SELECT [SIN, SAW, SQU]
CARRIER SELECT [SIN, SAW, SQU]
SYNC SLAVE SELECT [SAW, TRI]
MODULATOR EDGE [0...99]
OSC2-6 [MODULATOR CROSS MODULATION]
MODULATION DEPTH [0...99]
MOD.DEPTH MOD.EG [EG1...EG4, P.EG, A.EG]
EG INTENSITY [0...99]
DEPTH MOD.SOURCE [OFF...CCHG#95]
DEPTH MOD.INT [+99...-99]
BRASS MODEL OSCILLATOR
OSC1-5 [BRASS TYPE]
INSTRUMENT TYPE [TRUMPET1, TRUMPET2, TROMBONE, HORN}
SMOOTH BENDING CTL [OFF...CCHG#95]
SMOOTH BENDING INT [0...12]
SMOOTH BENDING DIR [UP, DOWN, BOTH]
OSC1-6 [BRASS PRESSURE EG]
EG [EG1...4, P.EG, A.EG]
EG INTENSITY [-99...+99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INT [-99...+99]
NOISE LEVEL [0...99]
OSC1-7 [BRASS PRESSURE MOD]
MOD.LFO [LFO...4]
MOD.LFO INT [-99...+99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INT [-99...+99]
OSC1-8 [BRASS LIP]
LIP CHARACTER [0...99]
CHARACTER MOD.SRC [OFF...CCHG#95]
CHARACTER MOD.INT [-99...+99]
OSC1-9 [BRASS BELL]
BELL TYPE [OPEN, MUTE]
BELL TONE [0...99]
BELL RESONANCE [0...99]
REED MODEL OSCILLATOR
OSC1-5 [REED TYPE]
INSTRUMENT TYPE [SOPRANOSAX...MONSTER]
SMOOTH BENDING CTL [OFF...CCHG#95]
SMOOTH BENDING INT [0...12]
SMOOTH BENDING DIR [UP, DOWN, BOTH]
OSC1-6 [REED PRESSURE EG]
EG [EG1...4/P.EG/A.EG]
EG INTENSITY [0...99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INTENSITY [-99...+99}
NOISE LEVEL [0...99]
OSC1-7 [REED PRESSUREMOD] - REED PRESSURE MODULATION
MOD.LFO [LFO1...4]
MOD.LFO INT [-99...+99]
MOD.SOURCE [OFF...CCHG#95
MOD.INT [-99...+99]
OSC1-8 [REED REED MOD]
MOD.SOURCE [OFF...CCHG#95]
MOD.INTENSITY [-99...+99]
PLUCK OSCILLATOR
OSC1-5 [PLUCK ATTACK]
ATTACK LEVEL [0...99]
ATTACK VELOC CTL [-99...+99]
NOISE BALANCE [0...99]
NOISE LVL VELCTL [-99...+99]
OSC1-6 [PLUCK NOISE FILTER]
TYPE [LPF, HPF, BPF]
FC [0...99]
FC VEL CTL [-99...+99]
RESONANCE [0...99]
UP [0...99]
UP VEL CTL [-99...+99]
DOWN [0...99]
DOWN VELCTL [-99...+99]
EDGE [0...99]
OSC1-8 [PLUCK STRING POSITION]
POSITION [0...99]
VEL CTRL [-99...+99]
MOD.SRC [OFF...CCHG#95]
MOD.INT [-99...+99]
OSC1-9 [PLUCK STRING LOSS]
STRING LOSS [0...99]
KBD TRACK [-99...+99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INT [-99...+99]
OSC1-10 [PLUCK INHARMONICITY]
AMOUNT [0...99]
KBDTRACK [-99...+99]
OSC1-11 [PLUCK DECAY & RELEASE]
DECAY [0...99]
DCY KBD TRK [-99...+99]
RELEASE [0...99]
RLS KBD TRK [-99...+99]
SUB OSCILLATOR
SUB OSC-1 [SUB OSC]
PITCH SOURCE [OSC1, OSC2]
RELATIVE SEMI TONE [-24...+24]
RELATIVE FINE TUNE [-50...+50CENT]
WAVE FORM [SIN, SAW, SQU, TRI]
NOISE GENERATOR
LPF FREQUENCY [0...99]
LPF FREQ KBD TRK [-99...+99]
UTY (UTILITY)
OSCU-1 [INITIALIZE]
OSC SELECT [OSC1, OSC2, ALL]
OSCU-2 [SET INITIALIZE]
INITIAL TYPE [#00...32]
OSCU-3 [COPY]
SOURCE PROGRAM [A000...C63]
TARGET BLOCK [OSCCMN, OSC1, OSC2, SUBOSC, NOISE, ALL]
OSCU-4 [DUPLICATE]
DUPLICATE SOURCE [(OSC1--> OSC2), (OSC2--> OSC1)]
OSCU-5 [SWAP]
OSCU-5 [SWAP] [OSC1<-->OSC2
WAVE SHAPE SECTION
WS-1 [WAVESHAP MENU]
[WS1] (WAVE SHAPE 1)
[WS2] (WAVE SHAPE 2)
[UTY] (UTILITY)
WS1(2)-1 [INPUT GAIN]
GAIN [0...99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INTENSITY [-99...+99]
WS1(2)-2 [INPUT OFFSET]
INPUT OFFSET [-99...+99]
WS1(2)-3 [FEEDBACK & CROSS LOOP]
FEEDBACK LEVEL [0...99]
CROSS LOOP LEVEL [0...99]
WS1(2)-4 [WAVE SHAPE]
TABLE SELECT [CLIP, RESO]
SHAPE [0...99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INTENSITY [-99...+99]
WS1(2)-5 [OUTPUT]
OUTPUT GAIN [0...99]
THRUGAIN [0...99]
WSU-1 [INITIALIZE]
WS SELECT [WS1, WS2, ALL]
INITIAL TYPE [#0...5]
  #0:THRU
  #1:BOOSTER
  #2:SOFTCLIP
  #3:HARDCLIP
  #4:SOFTRESONANT
  #5:HARDRESONANT
WSU-2 [COPY]
SOURCE PROGRAM [EDIT, A00...C63]
SOURCE WS [WS1, WS2, ALL]
DESTINATION [WS1, WS2]
WSU-3 [SWAP]
WSU-3 [SWAP] [WS1<-->WS2]
MIXER SECTION
MIX-1 [OSC1 -> OUT1]
OUTPUT LEVEL [0...99]
LEVEL MOD.SOURCE [OFF...CCHG#95
LEVEL MOD.INT [-99...+99]
MIX-2 [OSC1 -> OUT2]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-3 [OSC2 -> OUT1]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-4 [OSC2 -> OUT2]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-5 [SUBOSC -> OUT1]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-6 [SUBOSC -> OUT2]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-7 [NOISE -> OUT1]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-8 [NOISE -> OUT2]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-9 [FEEDBACK -> OUT1]
EDITABLE PARAMETERS SAME AS MIX-1
MIX-10 [FEEDBACK -> OUT2]
EDITABLE PARAMETERS SAME AS MIX-1
FILTER SECTION
FLT-1
ROUNTING [SERIAL, SERIAL2, PARALLEL]
[FILTR1] (FILTER 1)
[FILTR2] (FILTER 2)
[UTY] (UTILITY)
FL1-1 [TYPE & INPUT]
FILTER TYPE [THRU, LPF, HPF, BPF, BRF]
INPUT TRIM [00...99]
FL1-2 [CUTOFF]
CUTOFF FREQUENCY [00...99]
MOD.EG [EG1...EG4, P.EG, A.EG]
MOD.EG INTENSITY [-99...+99]
FL1-3 [RESONANCE]
RESONANCE [0...99]
MOD.SOURCE [OFF...CCHG#95
MOD.INTENSITY [-99...+99]
FL1-4 [FC KBD TRK] CUTOFF FREQUENCY KEYBOARD TRACK
LOW KEY [C-1...G9]
HIGH KEY [C1...G9]
LOWER INTENSITY [-99...+99]
HIGHER INTENSITY [-99...+99]
FL1-5 [FC MODULATION]
MOD.LFO [LFO...4]
MOD.LFO INT [-99...+99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INTENSITY [-99...+99]
FL2-1 [TYPE & INPUT]...FL2-5 [FC MODULATION]
EDITABLE PARAMETERS SAME AS [FL1-1...5]
FLU-1 [INITIALIZE]
FILTER SELECT [FILTER 1, FILTER 2, FILTER 1&2]
INITIAL TYPE [#0...4]/[#0...3]
IF FILTER SELECT IS FILTER 1 OR 2
  #0:THRU
  #1:LOWPASS
  #2:HIGHPASS
  #3:BANDPASS
  #4:BPF_NOTE
IF FILTER SELECT IS FILTER 1&2
  #0:SAXBODY
  #1:FORMANT
  #2:TRUMPET
  #3:MUTETRUMPET
FLU-2 [COPY]
SOURCE PROGRAM [EDIT, A00...C63]
SOURCE FILTER [FILTER 1, FILTER 2, ALL]
DESTINATION [FILTER 1, FILTER 2]
FLU-3 [SWAP]
FLU-3[SWAP] FILTER 1<-->FILTER 2
AMPLIFIRE [as spelled in the manual :)] SECTION
AMP-1 [AMP MENU]
[AMP1] (AMPLITUDE 1)
[AMP2] (AMPLITUDE 2)
[AMPEG] (AMPLITUDE EG)
[UTY] (UTILITY)
AMP1-1 [AMPLITUDE] - AMPLITUDE 1
AMPLITUDE [0...99]
KBD TRK LOW KEY [C-1...G9]
KBD TRK HIGH KEY [C-1...G9]
KBD TRK LOWER INT [-99...+99]
KBD TRK HIGHER INT [-99...+99]
AMP1-2 [AMP MODULATION]
AMP MOD.EG [EG1...EG4, P.EG, A.EG]
MOD.EG INT [-99...+99]
MOD.SOURCE [OFF...CCHG#95]
MOD.INTENSITY [-99...+99}
AMP2-1 [AMPLITUDE]...AMP2-2 [AMP MODULATION]
EDITABLE PARAMETERS SAME AS AMP1-1...2
AEG-1 [AMP EG LEVEL]
START LEVEL [0...99]
ATTACK LEVEL [0...99]
BREAK LEVEL [0...99]
SUSTAIN LEVEL [0...99]
AEG-2 [AMP EG TIME]
ATTACK TIME [0...99]
DECAY TIME [0...99]
SLOPE TIME [0...99]
RELEASE TIME [0...99]
AEG-3 [AMP EG KBDTRK] AMPLITUDE EG KEYBOARD TRACKING
ATTACK TIME [-99...+99]
DECAY TIME [-99...+99]
SLOPE TIME [-99...+99]
RELEASE TIME [-99...+99]
AEG-4 [AMP EG VELOCITY] AMPLITUDE EG VELOCITY CONTROL
LEVEL [-99...+99]
ATTACK TIME [-99...+99]
DECAY TIME [-99...+99]
SLOPE TIME [-99...+99]
RELEASE TIME [-99...+99]
AMPU-1 [AMP COPY]
SOURCE PROGRAM [EDIT, A00...C63]
SOURCE AMP [AMP1, AMP2, ALL]
DESTINATION [AMP1, AMP2]
AMPU-2 [AMP SWAP]
AMPU-2[AMP SWAP] AMP1<-->AMP2
AMPU-3 [AMPEG INITIALIZE]
INITIAL TYPE [#00...10]
  #00: DEFAULT
  #01: PIANO
  #02: BELL
  #03: GUITAR
  #04: PERCUSSION
  #05: ORGAN
  #06: SOFT ATTACK
  #07: SLOW ATTACK
  #08: SOLO STRING
  #09: SWEEP
  #10: PRESSURE
AMPU-4 [AMPEG COPY]
SOURCE PROGRAM [A00...C63]
EFFECT SECTION
FX-1 [DISTORTION & WAH]
[DIST] (DISTORTION)
[WAH] (WAH)
[UTY] (UTILITY)
DIST-1 [DISTORTION] - DISTORTION
GAIN [0...99]
TONE [0...99]
FX LEVEL [0...99]
DIST-2 [FX BALANCE] - DISTORTION
BALANCE [0...100%]
BAL MOD.SOURCE [OFF...CCHG#95]
BAL MOD.INENSITY [-99...+99]
WAH-1 [LEVEL & RESONANCE] - WAH
FX LEVEL [0...99]
RESONANCE [0...99]
WAH-2 [SWEEP] - WAH
SWEEP SOURCE [OFF...CCHG#95]
SWEEP DIRECTION [+,-]
LOW FREQUENCY [0...99]
HIGH FREQUENCY [0...99]
WAH-3 [FX BALANCE] - WAH
BALANCE [0...100%]
BAL MOD.SOURCE [OFF...CCHG#95]
BAL MOD.INTENSITY [-99...+99]
DWU-1 [INITIALIZE]
FX SELECT [DIST, WAH]
INITIAL TYPE [#0...2]/[#0...3]
IF FX SELECT IS DIST
  #0:THRU
  #1:DISTORTION
  #2:OVERDRIVE
IF FX SELECT IS WAH
  #0:THRU
  #1:LFO_WAH
  #2:VELOCITYWAH
  #3:RANDOMWAH
DWU-2 [COPY]
SOURCE PROGRAM [A00...C63]
DESTINATION [DIST, WAH, DIST&WAH]
FX-2 [DELAY/REVERB]
TYPE [CHORUS&DELAY, REVERB]
[DELAY] (DELAY)
[CH/FL]/[REVERB] (CHORUS & FLANGER)/(REVERB)
[UTY] (UTILITY)
DLY-1 [DELAY & FBACK] - DELAY
DELAY TIME [0(012[MS])...99(1200[MS])]
FEEDBACK [0...99]
HIGH DAMP [0...99]
DLY-2 [FX BALANCE] - DELAY
BALANCE [0...100%]
BAL MOD.SOURCE [OFF...CCHG#95]
BAL MOD.INTENSITY [-99...+99]
CHFL-1 [DELAY & F.BACK] - CHORUS/FLANGER
DELAY TIME [0(001[MS])...99(100[MS])]
FEEDBACK [-99...+99]
CHFL-2 [MODULATION] - CHORUS/FLANGER
LFO SELECT [LFO...4]
LFO DEPTH [0...99]
DEPTH MOD.SOURCE [OFF...CCHG#95]
DEPTH MOD.INT [-99...+99]
CHFL-3 [FX BALANCE] - CHORUS/FLANGER
BALANCE [0...100%]
BAL MOD.SOURCE [OFF...CCHG#95]
BAL MOD.INTENSITY [-99...+99]
CDU-1 [INITIALIZE]
FX SELECT [CH/FL, DELAY, CH&DLY]
INITIAL SOURCE [#0...5]/[#0...4]/[#0...2]
IF CH/FL IS SELECTED FOR FX SELECT
  #0:THRU
  #1:LIGHTCHORUS
  #2:DEEPCHORUS
  #3:LIGHTFLANGER
  #4:DEEPFLANGER
  #5:FLANGINGDELAY
IF DELAY IS SELECTED FOR FX SELECT
  #0:THRU
  #1:LONGDELAY
  #2:MEDIUMDELAY
  #3:SHORTDELAY
  #4:SPRINGREVERB
IF CH&DLY IS SELECTED FOR FX SELECT
  #0:THRU
  #1:STEREOTAPDLY
  #2:3D_DELAY
CDU-2 [COPY]
SOURCE PROGRAM [A00...C63]
DESTINATION [CH/FL, DELAY, CH/FL&DLY]
REV-1 [REVERB TIME] - REVERB
PRE DELAY TIME [0(002[MS])...99(200[MS])]
REVERB TIME [0...99]
HIGH DAMP [0...99]
REV-2 [FX BALANCE] - REVERB
BALANCE [0...100%]
BAL MOD.SOURCE [OFF...CCHG#95]
BAL MOD.INTENSITY [-99...+99]
REVU-1 [INITIAL]
INITIAL SOURCE [#0...6]
&nbsd #0:THRU (NO EFFECT)
&nbsd #1:HALL
&nbsd #2:ROOM
&nbsd #3:PLATE
&nbsd #4:DELAYREVERB
&nbsd #5:STAGE
&nbsd #6:EARLYREFRECTION
REVU-2 [COPY]
SOURCE PROGRAM [A00...C63]
FX-3 [DUAL PEAKING EQ] - 2 BAND PEQ
[PEQ] (2 BAN PEQ)
[UTY] (UTILITY)
[PEQ] - 2 BAND PARAMETRIC EQ
O----PEAKING EQ-----PEAKING EQ---->
PEQ-1 [HIGH EQ] - 2 BAND PEQ
CUTOFF FREQUENCY [0(1.000[kHZ])...49(16.95[kHZ])]
Q [0...29]
GAIN [-18...+18dB]
EQU-1 [INITIALIZE]
INITIAL TYPE [#0...#6]
  #0:THRUEQ
  #1:2BANDEXITER
  #2:BRIGHTEQ
  #3:SOFTEQ
  #4:LOWBOOST
  #5:REEDEQ
  #6:BRASSEQ
EQU-2 [COPY] - 2 BAND PEQ UTILITY
SOURCE PROGRAM [A00...C63]
FX-4 [PANPONT & OUTPUT LEVEL] - PANPOT & LEVEL
PANPOT [LEFT, L<--63...CENTER...62-->R, RIGHT]
PANPOT MOD.SRC [OFF...CCHG#95]
PANPOT MOD.INT [-99...+99]
OUTPUT LEVEL [0...127]
4-7. EG (ENVELOPE GENERATOR) SECTION
EG-1 [EG MENU]
[EG1]  
[EG2]  
[EG3]  
[EG4]  
[UTY] UTILITY
EG1-1 [EG LEVEL]
START LEVEL [-99...+99]
ATTACK LEVEL [-99...+99]
BREAK LEVEL [-99...+99]
SUSTAIN LEVEL [-99...+99]
RELEASE LEVEL [-99...+99]
EG1-2 [EG TIME]
ATTACK TIME [0...99]
DECAY TIME [0...99]
SLOPE TIME [0...99]
RELEASE TIME [0...99]
EG1-3 [TIME KBD TRK] EG TIME KEYBOARD TRACKING
ATTACK TIME [-99...+99]
DECAY TIME [-99...+99]
SLOPE TIME [-99...+99]
RELEASE TIME [-99...+99]
EG1-4 [VELOCITY CONTROL]
EG LEVEL [-99...+99]
ATTACK TIME [-99...+99]
DECAY TIME [-99...+99]
SLOPE TIME [-99...+99]
RELEASE TIME [-99...+99]
[EG2/3/4] EG2/3/4-1...4]
EDITABLE PARAMETERS SAME AS EG1-1...4
EGU-1 INITIALIZE
EG SELECT [EG1...EG4]
INITIAL TYPE [#00...10]
  #00:DEFAULT
  #01:PIANO
  #02;BELL
  #03:GUITAR
  #04:PERCUSSION
  #05:ORGAN
  #06:SOFTATTACK
  #07:SLOWATTACK
  #08:SOLOSTRING
  #09:SWEEP
  #10:PRESSURE
EGU-2 COPY
SOURCE PROGRAM [EDIT, A00...C63]
SOURCE EG [EG1...4, ALL]
DESTINATION [EG1...4]
EGU-3 SWAP
EG SELECT [EG1...EG4]
ANOTHER SELECT [EG1...4]
LFO SECTION
[LFO1] [LFO2]
[LFO3] [LFO4]
[UTY]  
LFO1-1 [WAVE & MODE]
WAVE FORM [0..29]
MODE [ON, OFF, BOTH]
KEY SYNC SW [OFF, ON]
LFO1-2 [FREQUENCY]
FREQUENCY [0(0.000[Hz])...199(60.00[Hz])]
FREQUENCY KBD TRACK [-99...+99]
FREQUENCY CC#1 CTRL [-99...+99]
LFO1-3 [MODULATION SOURCE]
MOD.SOURCE [OFF...CCHG#95
MOD.INTENSITY [-99...+99]
LFO1-4 [AMPLITUDE]
MODULATION SOURCE [OFF...CCHG#95]
OFFSET [-99...+99]
DELAY [0...99]
FADE IN [-99...+99]
[LFO2/3/4] LFO2/3/4-1...4
LFOU-1 [COPY]
SOURCE PROGRAM [EDIT, A00...C63]
SOURCE LFO [LFO1...4,ALL]
DESTINATIO [LFO1...4]
LFOU-2 [SWAP]
LFO SELECT [LFO1...4]
ANOTHER SELECT [LFO1...4]
COMMON SECTION
CMN-1 [PROGRAM NAME]
VALID CHARACTERS !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[¥]^_\abcdefghijklmnopqrstuvwxys{|}-><-
CMN-3 [VOICE CONTROL]
KEY PRIORITY [LAST, HIGH, LOW]
HOLD [OFF, ON]
CMN-2 [PROG CATEGORY]-PROGRAM CATEGORY
PROGRAM CATEGORY [#1...16]
  #01:HARDLEED
  #02:SOFTLEED
  #03:SYNTHBASS
  #04:REALBASS
  #05:GTRPLUCK
  #06:BRASS
  #07:REED
  #08:WIND
  #09:BELL
  #10:KEYBOARD
  #11:PERC
  #12:MOTION
  #13:SFX/ETC.
  #14:ARPEGGIO
  #15:USERGRP1
  #16:USERGRP2
CMN-3 [VOICE CONTROL]
KEY PRIORITY [LAST, HIGH, LOW]
HOLD [OFF, ON]
TRIGGER MODE [MULTI, SINGLE, VELOCITY]
ABOVE BELOW [ABOVE, BELOW]
THRESHOLD VELOCITY [1...127]
CMN-4 [SCALE]
SCALE TYPE [EQUAL_TEMP...USER_SCALE_2]
  EQUAL TEMPERAMENT
  PURE MAJOR
  PURE MINOR
  ARABIC
  PYTHAGOREAN
  WERCKMEISTER
  KIRNBERGER
  SLENDRO
  PELOG
  USER SCALE 1:
  USER SCALE 2
SCALE KEY [C...B]
RANDOM PITCH INTENSITY [0...99]
CMN-5 [WHEEL1/2 ASSIGN]
CONTROL WHEEL 1 [0(OFF)...100(CCHG#95)]
CONTROL WHEEL 2 [0(OFF)...100(CCHG#95)]
CMN-6 [WHEEL3 ASSIGN] - WHEEL CONTROLLER3 ASSIGN
WHEEL3 +DIRECTION [0(OFF)...100(CCHG#95)]
WHEEL3 -DIRECTION [0(OFF)...100(CCHG#95)]
CMN-7 [RIBBON ASSIGN]
RIBBON X [0(OFF)...100(CCHG#95)]
X VALIABLE CENTER [OFF, ON]
RIBBON Z [0(OFF)...100(CCHG#95)]
CMN-8 [PEDAL & SW ASSIGN]
FOOT PEDAL [0(OFF)...100(CCHG#95)]
FOOT SW [OFF...WH3HOLD]
  OFF
  SUSTAIN
  PROGRAM UP
  PROGRAM DOWN
  OCTAVE UP
  OCTAVE DOWN
  PORTAMENTO SW
  DISTORTION SW
  WAH SW
  CHORUS SW
  DELAY SW
  REVERV SW
  ARPEGGIO OFF/ON
  WHEEL3 HOLD
CMN-9 [COPY CONTROL]
SOURCE PROGRAM [A00...63, B00...63, C00...63(CARD)]
CMN-10 [INITIALIZE PROGRAM]
CMN-10[INITIALIZE PROGRAM] ENTER
GLOBAL SESSION
GLB-1 [TUNE & TRANSPOSE]
MASTER TUNE [HZ] [430.0...450.0]
TRANSPOSE [-12...+12]
XPOSE POSITION [PSTKBD, PRETG]
GLB-2 [CURVE & EFFECTS]
VELOCITY CURVE [1...8]
AFTERTOUCHCURVE [1...8]
DELAYREVERB [ON, BYPASS]
GLB-3 [USER SCALE]
USER SCALE 1 NOTE [1(C)...12(B)]
SCALE 1 DETUNE [-100...+100]
USER SCALE2 KEY [0(C-1)...127(G9)]
SCALE 2 DETUNE [-100...+100]
GLB-4 [SENS&POLAR]-SENSITIVITY & POLARITY
AFTERTOUCH SENSE [0...99]
RIBBON Z SENSE1 [0...99]
OCTAVE SW MODE [LAT, ULAT]
FOOTPEDAL POLARITY [+,-]
FOOT SW POLARITY [+,-]
GLB-5 [KNOB CONTROLLER ASSIGN]
KNOB1 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00..95]
KNOB2 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00...95]
KNOB3 [OFF, PBENDER (+/-.+.-), ATOUCH, CCHG#00...95]
KNOB4 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00...95]
KNOB5 [OFF, PBENDER (+/-,+,-), ATOUCH, CCHG#00...95]
GLB-6 [ARPEGGIO CONTROLLER]
VELOCITY [OFF, PBENDER, ATOUCH, CCHG#00...95]
GATE [OFF, PBENDER, ATOUCH, CCHG#00...95]
GLB-7 [EC5 FUNCTION]
SW-A [OFF...WH3HOLD]
SW-B [OFF...WH3HOLD]
SW-C [OFF...WH3HOLD]
SW-D [OFF...WH3HOLD]
SW-E [OFF...WH3HOLD]
  0 OFF
  1 SUSTAIN OFF/ON
  2 PROGRAM UP
  3 PROGRAM DOWN
  4 PROGRAM UP
  5 OCTAVE DOWN
  6 PORTAMENTO OFF/ON
  7 DISTORTION OFF/ON
  8 WAH OFF/ON
  9 DELAY OFF/ON
  10 CHORUS OFF/ON
  11 REVERB OFF/ON
  12 ARPEGGIO OFF/ON
  13 WHEEL 3 HOLD OFF/ON (WH3HOLD)
GLB-9 [MIDI]
GLOBAL CHANNEL [1...16]
LOCAL [ON, OFF]
OMNI [ON, OFF]
CLOCK SOURCE [INTERNAL, EXTERNAL]
GLB-9 [MIDI PITCH BEND]
TRANSMIT [OFF, ON]
RECEIVE [DISABLE, ENABLE, INTERPOLE]
TRANSLATION [P.BEND, AFTER TOUCH, C.CHG#00...#95]
RETURN [OFF, ON]
GLB-10 [MIDI AFTER TOUCH]
TRANSMIT [OFF, ON]
RECEIVE [DISABLE, ENABLE, INTERPOLE]
TRANSLATION [P.BEND, AFTER TOUCH, C.CHG#00...#95]
RETURN [OFF, ON]
GLB-11 [MIDI CONTROL CHANGE]
CONTROL NO [0...95]
TRANSMIT [OFF, ON]
RECEIVE [DSBL, ENBL, INTP]
TRANSLATION [P.BEND, AFTER TOUCH, C.CHG#00...#95]
RETURN [OFF, ON]
GLB-12 [MIDI PROGRAM CHANGE]
TRANSMIT [OFF, ON]
RECEIVE [OFF, ON]
GLB-13 [PROG BANK SELECT MAP]
BANK A,B,C
LSB [---, 000...127]
MSB [---, 000...127
GLB-14 [PROG NO. SELECT MAP]
INTERNAL [A00...C63]
EXTERNAL [0...127]
GLB-15 [SYSEX FILTER]
TRANSMIT [OFF, ON]
RECEIVE [DISABLE, ENABLE]
GLB-16 [LOAD FROM CARD]
DESTINATION [BANK_A...BANK_B&PAT]
GLB-17 [SAVE TO CARD]
SOURCE [BANK_A...BANK_B&B&PAT]
GLB-18 [MIDI DATADUMP]
DUMP ITEM [SINGLEPROG...ALL DATA]
DUMP SOURCE [A00...B63]/[A,B]
DESTINATION
GLB-19 [LOAD FACTORYDATA]
LOAD ITEM [SINGLEPROG...ALL DATA]
LOAD SOURCE [A00...B63]/[A,B]
DESTINATION [A00...B63]/[A,B]
GLB-20 [MEMORY PROTECT]
PROGRAM MEMORY [OFF, ON]
GLB-21 [PAGE MEMORY & 10'S HOLD]
PAGE MEMORY [OFF, ON]
10'S HOLD MEMORY [OFF, ON]
GLB-22 [CONTROLLER CALIBRATION]
(SOURCE SELECT) [WHEEL1...FOOT_PDL]
  WHEEL1
  WHEEL2
  WHEEL3
  RIBBON_X
  RIBBON_Z
  AFTTOUCH
  FOOT_PDL